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Alessia Crusi tells a story from 1910 that still resonates today in ‘Leaving the Factory’

When she was in elementary school, Alessia Crusi always heard stories of factory riots on International Women’s Day, March 8th. This story stuck with her and inspired her for her film, Leaving the Factory. new filmmaker los angelesRecent In Focus: Female Cinema Festival

The film tells how in 1910, a group of women decided to protest against terrible working conditions that forced them to work countless hours for a few cents. The film tells the story of Marina, an Italian immigrant who the filmmakers describe as “a mother, a wife, a worker, but above all a woman.” She is a woman who puts her life on the line to fight for a better future. ”

In an interview with NFMLA’s Danny DeLillo, which can be seen below, Cruci said he wanted to make his own film because the battle depicted in the film had not yet been won.

“When you look at what’s going on in the world, the issues I talk about in my movies are still issues facing women today,” she says. “This is one of those stories that still resonates today in a very frightening way.”

Cruci is a producer, filmmaker and actress born and raised in Florence, Italy. In 2018 she moved to the United States to study film and in May 2022 she graduated with honors from USC SCA with a BA in Film and Television Production.

In the fall of 2021, she made her first short film, “D-Day for Denise,” on a budget of nearly $30,000 under a union agreement. She is also an associate her producer on her web series “Imposter”, which in 30 days she has raised over $55,000.

She especially enjoys working on female-led narrative projects. She is particularly passionate about her historical work, which is based on her true story.A detailed biography of her can be found on her website www.alessiacruci.comfollow @alessia.cruci and @Producedbyalessia on Instagram.

Watch the NFMLA interview with Alessia Cursi, writer and director of Leaving the Factory.

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‘Leaving the Factory’ screened as part of NFMLA’s March Film Festival celebrating emerging female talent in front of and behind the camera. The program included award-winning film director Dawn Jones Redstone’s debut feature plus two short programmes.

The day kicked off with InFocus: Female Cinema Shorts I, a collection of films that explore motherhood, fertility, childbirth, and reproductive choices from a broad perspective. The show followed the Los Angeles premiere of award-winning writer and director Dawn Jones-Redstone’s first feature film, Mother of Color. Rounding out the evening was InFocus: Female Cinema Shorts II, an eclectic mix of short films from up-and-coming talent whose stories explored body image, intimate relationships, work, and its many struggles. .

NFMLA presents films by filmmakers from all backgrounds throughout the year, in addition to special InFocus programs that celebrate diversity, inclusivity and geography. All filmmakers, regardless of InFocus’ program, are welcome and encouraged to submit projects for consideration at all of her upcoming NFMLA festivals.

Main image: “Leaving the factory”

https://www.moviemaker.com/alessia-cruci-leaving-the-factory/?utm_source=rss&utm_medium=rss&utm_campaign=alessia-cruci-leaving-the-factory Alessia Crusi tells a story from 1910 that still resonates today in ‘Leaving the Factory’

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